Reasons To Love Jens Lekman

Last month, everyones favorite Swedish singer songwriter, Jens Lekman, released a new album: Life Will See You Know. Frenzied Fangirl will be attending his show in Utrecht next month, and let me tell you why you should be there or be square.

I’ve strenuously avoided writing about music since the birth of this blog; I find it nearly impossible. After all, “Writing about music is like dancing about architecture.” Impossible. I’d love to be able to do it though; to tell you why some music appeals to me, why some music makes me cry, and some music makes me want to live a radically different life. I figured the easiest way to start is by writing about an ar527348_508109985868886_1803095852_ntist I feel strongly about, and since I absolute LOVE Jens, this is as good a time as any to get started.

For starters, I should mention that Lekman’s first album, When I Said I Wanted To Be Your Dog, is still my favorite of his, and it’s also in my top 10 albums of all time. My favorite of his songs is You Are The Light. Understandably, I was disappointed when Jens didn’t play one at the gig I attended a few years ago. Afterwards, he was at the merchandise booth to sign CD’s, and asked me whether I’d enjoyed the show. I said I’d loved it, but I was sorry he’d not performed my favorite song. So Jens sang it in my ear for me, right there, right then, acoustic. Yeah, he’s that kind of guy. Continue reading

Writer’s Block

Ironically, I’ve had a post on writer’s block in my drafts folder for ages. It went something like this: “How lucky I am, never to have experienced writer’s block. I wonder how the phenomenon works. Can you even call yourself a writer if you’re not writing? I don’t understand how people’s personal lives can get in the way of their writing. For me, writing is the only way to deal with my personal life, blah blah blah.”

It’s been over a month since my last blogpost, so I think it’s about time I redact that statement. During this month, I’ve written a number of university assignments with extreme difficulty. No fiction. No non-fiction. No fanfiction. Barely any Facebook posts. Something is fucky in the state of Denmark.

First, I made y’all a promise. I was going to blog about TJLC. I though the craziness would be over within a couple of weeks and I’d be able to blog about it comprehensively. Contrary to my expectations, the conspiracy just keeps getting bigger and bigger and bigger. I can no longer oversee or understand all of it, and I don’t feel confident blogging about it, partly because I’m not sure what my opinion is on the whole thing.

Second, I don’t want to blog about TJLC. What if it’s the last time I get to blog about Sherlock with any sort of news value? Over the course of my hesitation, the news value has, of course, evaporated, but still. Ten years from now, I’ll just be a silly lady in a quiet corner of the internet, still blogging about Johnlock. I don’t want to become outdated quite yet.

Then I went to see Harry Potter & The Cursed Child in London. My notes on the play and the experience are lengthier than the average blog post. I really need to do some editing and organizing on that post, but I don’t feel like doing that… So, I’m stuck.

Third, I don’t want to return to the rigid scheme of blogging I’ve observed in the last months of 2016. Posting something every three days leeches my creativity and makes me dread writing, when writing is actually supposed to be an enjoyable activity.

By writing about my difficulties with writing, I’ve broken the silence. I sincerely hope I’ll have something a bit more substantial to post soon. In the mean time, please root for my muse to return.

Love,

Frenzied Fangirl

PS: To the people who have been enquiring after my radio silence because reading my blog pleases them: I LOVE YOU.

Molly Hooper – BAMF

PLEASE BE ADVISED THAT THIS BLOG CONTAINS SPOILERS OF SHERLOCK S4E3, THE FINAL PROBLEM.

Guys, because my review of The Lying Detective became ridiculously long the other day, I am reviewing The Final Problem in three installments. Three, you say? Yes, I really do mean three. The first is this one, and it’s about Molly Hooper. The second will be a review of the plot and character development of the episode, and the third will focus on TJLC. Don’t know the acronym? Stay tuned.

I don’t need to tell y’all that the latest (possibly last) episode of Sherlock caused quite a stir. One of the main reasons for that was the emotionally charged scene where Sherlock has a phone conversation with Molly Hooper.

 

Lots of people were upset because they had  hoped Sherlock was going to confess his love to John, but that’s a matter for a future blog post. Lots of people were upset because they felt, and I agree, that the kind of psychological torture we saw in The Final Problem was too gruesome for Sherlock, and not half as clever as we’ve come to expect of the show. But there are two other problems that seem to be bugging people that I feel the need to address in more detail.

Didn’t Molly have a fiancé in season 3? Hasn’t she moved on from Sherlock?

You’re right, Molly did have a fiancé. This is a major plot hole and frankly it’s just sloppy writing.

Besides that, I agree that it would have been fair to Molly if, over the seven years this show has been running, she’d have gotten over Sherlock. It sad that this scene implies she never did, and I think she deserved a more exciting and fulfilling storyline, because her character could have had so much more depth than just “pining awkward catlady.”

I think the media tends to ridicule the feelings of women and glorify those of men. I don’t hear anyone argue that Snape deserved a less romantically hung-up storyline. A man showing his feelings is seen as manly. A woman showing hers is seen as pathetic. Or, as Louise Brealey, the actress who plays Molly, tweeted:

And then, here’s the second and final (hehe) problem: what is Molly doing walking into 221B in the closing scene like she hasn’t just been humiliated by Sherlock over the phone?

 

It’s remarkable, to say the least. During her phone conversation with Sherlock, Molly is visibly upset. Even Euros, the psychopathic mastermind killer sister, can tell.

Euros:“Look what you did to her. Look what you did to yourself. All those complicated little emotions…”

But then, without any transition or discussion between her and Sherlock, she’s back at Baker Street and happy as a clam. This is definitely an oversight on the part of the writers. However, when Steven Moffat was confronted with this inconsistency in an interview with Entertainment Weekly, that’s when things got ugly, things really got ugly.

If there is something fans seem upset about with this episode it’s that there’s no resolving scene with Molly after that very effective devastating call to her while she’s in the kitchen. Did you consider doing one? Is it fair to leave her that like that? 
Moffat: But that’s not how we leave her. People need to learn to face their televisions, we see her later on–

We see her skipping into the room but–
Moffat: She gets over it! Surely at a certain point you have to figure out that after Sherlock escapes tells her, “I’m really sorry about that, it was a code, I thought your flat was about to blow up.” And she says, “Oh well that’s okay then, you bastard.” And then they go back to normal, that’s what people do. I can’t see why you’d have to play that out. She forgives him, of course, and our newly grown-up Sherlock is more careful with her feelings in the future. In the end of that scene, she’s a bit wounded by it all, but he’s absolutely devastated. He smashes up the coffin, he’s in pieces, he’s more upset than she is, and that’s a huge step in Sherlock’s development. The question is: Did Sherlock survive that scene? She probably had a drink and went and shagged someone, I dunno. Molly was fine. Source.

EXCUSE, YOU, MOFFAT?

This is seriously ridiculous. You want so badly to have an emotionally charged scene that you conveniently forget about Molly’s fiancé. Then, you have two terrific actors do the scene, and the result is emotionally devastating to both characters and audience. And then… you completely discredit your own writing and undercut your credibility by suggesting that it wasn’t such an important scene after all.

What’s more, you excuse your plot hole by accusing viewers of ignorance: “people need to learn to face their televisions,” what does that even mean? One moment you accuse your viewers of overanalyzing and the next we’re being dumb? I’m so done with you right now, Steven. And you know what? So is Louise Brealey.

 

The Six Thatchers Review

I had planned to wait and review the whole new season of Sherlock in one go once it had all aired. As it turns out, I cannot restrain myself from commenting right now, just to vent a little bit. I think it’s important for me and all of the other frenzied fangirls out there that we’ve only seen one act of a three part story this week, and I think it’s likely that all is not as it seems.

PLEASE BE AWARE THAT THIS REVIEW CONTAINS SPOILERS!

Continue reading

Dumbledore’s Army Readathon

From now until January 15th, I’ll be participating in the Dumbledore’s Army Readathon, and I will track my progress in this post.

For the sake of clarity: “an own voices book is a book featuring a marginalised perspective, written by an author who shares the same marginalised characteristics.” says Read At Midnight.

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A marginalized group I don’t often read about: prisoners. Orange Is The New Black by Piper Kerman.

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Own voices book: The Bluest Eye by Toni Morrison.

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A book that empowers women: Wide Sargasso Sea by Jean Rhys: race, gender and mental illness? How marginalized can you get?

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An issue of personal significance. For me, that’s would be feminism, disability or mental illness. I’m going with Girl, Interrupted, by Susanna Kaysen.

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A book from my To Be Read: Paaz by Myrthe van der Meer, an account of bipolar disorder.dareadathon-stupefy

An internet hype: Everyone seems to be talking about I Love Dick by Chris Kraus.

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A book recommended by a fellow blogger: I don’t know! Perhaps A Room Of One’s Own by Virginia Woolf? Not recommended by a blogger, but recommended by a friend.

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  • Each 10 pages you read will earn you 1 House Point.
  • Each book you complete will earn you 5 House Points.
  • Each book you review specifically for the #DAReadAThon will earn you 5 House Points.
  • Crosspost your review to Amazon for 1 House Point.
  • Post an image of your #DAReadAThon ID on Twitter for 1 House Point, and it allows other members of your House to find you!
  • Tweeting on the #DAReadAThon hashtag (with meaningful tweets about your current reads, recommendations of #OwnVoices) will earn you 1 House Point each. You can have a maximum of 20 House Points from Social Media interactions.
  • Photos of your #DAReadAThon books or TBR pile will earn you 1 House Point each. This contributes towards the maximum of 20 House Points from Social Media interactions mentioned above.
  • We will catalogue the points at the end via a masterpost, and find out who the Hogwarts House Champion for Diversity is!

My Score:

The Hogwarts House I’m in is obviously Gryffindor.

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