Say “Clitoris.” Out loud. Right Now.

Please be advised that the content of this blogpost is NSFW and not suitable for minors.

Apparently saying “clitoris” is a big deal. I don’t mean it’s a big deal for me personally, I say it all the time. “Clitoris.” In case you need a little reminder, here is an awesome cartoon explaining the clitoris to you:

Le clitoris – Animated Documentary (2016) from Lori Malépart-Traversy on Vimeo.

I hope there is no further need for me to tell you about the clitoris. If you’re a woman, you know it (and if you don’t know it, get off the internet right now and get to know it) and if you’re a man you hopefully know it too. So I won’t have to explain to you why I am a huge fan of the clitoris. And I won’t have to explain to you that I’m not the only one in the clitoris-fanclub. Just look at Lindsey Doe from Sexplanations.

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Bad Case of Lovin’ You (Doctor, Doctor)

I sometimes post lists of my favorite fictional [insert category here] on this blog. Past lists have included kisses, Christmas-themed stuffmothers and fangirls. These are probably my all-time favorite type of posts. They’re even more fun to write than the ones where I get to rant about the patriarchy. So I decided to do another one. The doctor is in!

Dr Carter

Move over, McDreamy, McSteamy and McWhatever-They’ve-Come-Up-With-Since-I-Stopped-Watching-Grey’s-Anatomy: Dr John Carter is officially the hottest. He’s so hot I made you a little slideshow. You’re welcome.

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On top of all that gorgeousness, Dr Carter was also the greatest character on the show. He was clever, kind, resourceful and cheeky, while at the same time being a huge and adorable dork. He was also super-rich and philanthropic, and he ended up going to Africa to help out in a hospital there. Don’t you forget it.

Dr Bailey

The original queen of sass.

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Sense8…… CANCELLED!?

For almost a year, I’ve had a blogpost in my drafts folder titled 80 Reasons To Love Sense8. It was originally going to be titled 8 Reasons, and the setup was that I’d link each of the main characters to one of my favorite aspects of the show. The reason it didn’t work was because I had TOO MANY THINGS I LOVE ABOUT SENSE8and so, after the New Year’s special and the equally stellar second season, I started working on the 80 Reasons. It’s a moot point now: the show has been cancelled.

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The first stage of grief, as you know, is denial. Is this a hoax? Is Netflix on some sick power-trip? Are they going to up their monthly rates and is this an attempt to show us how reliant we’ve become on them? Because if so, it’s working. I’m biting my nails to the quick and tearing my hair out and one wrong comment away from crying. No kidding. They don’t call me Frenzied Fangirl for nothing.

And the reason I’m sad isn’t even primarily that I won’t get to see any more of my favorite cluster, although, after last seasons cliffhanger that breaks my heart. I’m dying to see how Nomi and Neets organize their wedding. I’m dying to see what Kala’s shady husband is up to. I’m dying to know how we’re going to rescue Wolfgang, and what we’re going to do with Whispers now we’ve got his sneaky ass caught. I want justice of Sun Bak. I want Capheus to be elected president and I want to see Lito achieve commercial success as an openly gay man. Is that too much to ask?!

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But that’s not the main reason I’m sad. I’m sad because this television show was a game-changer for the entertainment industry and I’m afraid its cancellation has brought us back to square one. I’m sad because of what Sense8 means to me, and to countless other people who have felt like they were other for most of their lives. I’m sad because Nomi was shoved under boiling hot water for being trans, and I’m sad because Lito’s career has somehow become threatened by his sexual orientation, and I’m sad because Nigerian politics are corrupt and because the world is full of sexism and racism and homophobia. I’m sad because sometimes, sometimes, just for a little while, Sense8 made me believe that a strong sense of community, empathy and mutual understanding could overcome these hateful phenomena. Tonight I mourn a show that gave me a sense of empowerment and agency and belonging.

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Nomi: Your life is either defined by the system or the way you defy the system.

Sense8 was cancelled tonight, but in a thousand ways it’s only just beginning. For me, this show was the opening salvo in a long-lasting war against bigotry and hatred, which will be battled in terms of television and books and songs and comics and any type of media we deem useful. I will miss Sense8 because it reminded me of the political power of stories, and that power is not something Netflix can cancel.

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The Final Problem Review

PLEASE BE ADVISED THAT THIS BLOG CONTAINS SPOILERS OF SHERLOCK S4E3, THE FINAL PROBLEM.

Guys, because my review of The Lying Detective became ridiculously long the other day, I am reviewing The Final Problem in three installments. Three, you say? Yes, I really do mean three. The first one was about Molly Hooper. The second is this one, a review of the plot and character development of the episode, and the third will focus on TJLC. Don’t know the acronym? Stay tuned.

Much like my reviews of the earlier episodes, this will be a rambling list of things I loved about The Final Problem followed by a list of things I wasn’t wild about. Continue reading

Molly Hooper – BAMF

PLEASE BE ADVISED THAT THIS BLOG CONTAINS SPOILERS OF SHERLOCK S4E3, THE FINAL PROBLEM.

Guys, because my review of The Lying Detective became ridiculously long the other day, I am reviewing The Final Problem in three installments. Three, you say? Yes, I really do mean three. The first is this one, and it’s about Molly Hooper. The second will be a review of the plot and character development of the episode, and the third will focus on TJLC. Don’t know the acronym? Stay tuned.

I don’t need to tell y’all that the latest (possibly last) episode of Sherlock caused quite a stir. One of the main reasons for that was the emotionally charged scene where Sherlock has a phone conversation with Molly Hooper.

 

Lots of people were upset because they had  hoped Sherlock was going to confess his love to John, but that’s a matter for a future blog post. Lots of people were upset because they felt, and I agree, that the kind of psychological torture we saw in The Final Problem was too gruesome for Sherlock, and not half as clever as we’ve come to expect of the show. But there are two other problems that seem to be bugging people that I feel the need to address in more detail.

Didn’t Molly have a fiancé in season 3? Hasn’t she moved on from Sherlock?

You’re right, Molly did have a fiancé. This is a major plot hole and frankly it’s just sloppy writing.

Besides that, I agree that it would have been fair to Molly if, over the seven years this show has been running, she’d have gotten over Sherlock. It sad that this scene implies she never did, and I think she deserved a more exciting and fulfilling storyline, because her character could have had so much more depth than just “pining awkward catlady.”

I think the media tends to ridicule the feelings of women and glorify those of men. I don’t hear anyone argue that Snape deserved a less romantically hung-up storyline. A man showing his feelings is seen as manly. A woman showing hers is seen as pathetic. Or, as Louise Brealey, the actress who plays Molly, tweeted:

And then, here’s the second and final (hehe) problem: what is Molly doing walking into 221B in the closing scene like she hasn’t just been humiliated by Sherlock over the phone?

 

It’s remarkable, to say the least. During her phone conversation with Sherlock, Molly is visibly upset. Even Euros, the psychopathic mastermind killer sister, can tell.

Euros:“Look what you did to her. Look what you did to yourself. All those complicated little emotions…”

But then, without any transition or discussion between her and Sherlock, she’s back at Baker Street and happy as a clam. This is definitely an oversight on the part of the writers. However, when Steven Moffat was confronted with this inconsistency in an interview with Entertainment Weekly, that’s when things got ugly, things really got ugly.

If there is something fans seem upset about with this episode it’s that there’s no resolving scene with Molly after that very effective devastating call to her while she’s in the kitchen. Did you consider doing one? Is it fair to leave her that like that? 
Moffat: But that’s not how we leave her. People need to learn to face their televisions, we see her later on–

We see her skipping into the room but–
Moffat: She gets over it! Surely at a certain point you have to figure out that after Sherlock escapes tells her, “I’m really sorry about that, it was a code, I thought your flat was about to blow up.” And she says, “Oh well that’s okay then, you bastard.” And then they go back to normal, that’s what people do. I can’t see why you’d have to play that out. She forgives him, of course, and our newly grown-up Sherlock is more careful with her feelings in the future. In the end of that scene, she’s a bit wounded by it all, but he’s absolutely devastated. He smashes up the coffin, he’s in pieces, he’s more upset than she is, and that’s a huge step in Sherlock’s development. The question is: Did Sherlock survive that scene? She probably had a drink and went and shagged someone, I dunno. Molly was fine. Source.

EXCUSE, YOU, MOFFAT?

This is seriously ridiculous. You want so badly to have an emotionally charged scene that you conveniently forget about Molly’s fiancé. Then, you have two terrific actors do the scene, and the result is emotionally devastating to both characters and audience. And then… you completely discredit your own writing and undercut your credibility by suggesting that it wasn’t such an important scene after all.

What’s more, you excuse your plot hole by accusing viewers of ignorance: “people need to learn to face their televisions,” what does that even mean? One moment you accuse your viewers of overanalyzing and the next we’re being dumb? I’m so done with you right now, Steven. And you know what? So is Louise Brealey.

 

The Six Thatchers Review

I had planned to wait and review the whole new season of Sherlock in one go once it had all aired. As it turns out, I cannot restrain myself from commenting right now, just to vent a little bit. I think it’s important for me and all of the other frenzied fangirls out there that we’ve only seen one act of a three part story this week, and I think it’s likely that all is not as it seems.

PLEASE BE AWARE THAT THIS REVIEW CONTAINS SPOILERS!

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A Reminder, A Rant & A Recap

This post consists of three parts: a reminder, a rant and a recap. Or, if you want to look at it that way, a reminder and two rants. Let’s get down to business.

Warning for some bad language in the rants. Also, some spoilers for all of Sherlock so far.

1. Reminder: the Mental Health Reading Challenge starts tomorrow. I’m very excited. More info + signups here.

2. Rant: This rant is about queer baiting.

“What is queer baiting?” you ask, a quizzical expression on your face.

The term refers to what happens “when people in the media (usually television/movies) add homoerotic tension between two characters to attract more liberal and queer viewers with the indication of them not ever getting together for real in the show/book/movie”. says Wikipedia.

You shrug. “So what?”

It can even add up to the point where it hurts the queer audience. Queer baiting often plays potentially queer hints and references as mere jokes, but “if the representations in question utilize humour, are queer people in on the joke or are they the joke?”[4]  (a

Is representation a joke? I think not. If you do, that’s your opinion but I’m going to take a wild guess and say you probably don’t feel very marginalized in your daily life. I see way too few characters with disabilities on television. I see way too few women and when I see them they are often portrayed as erratic or superficial. That fucking hurts me.

Storylines where a character can’t be fulfilled until they have overcome a disability fucking hurt me. Representation like that makes me feel as though I’m not enough. I was very angry when John Watson’s limp on Sherlock turned out to be psychosomatic, because it looked as though he only became a competent and interesting character when the disability was cured. That fucking hurts me.

Now, I’m personally not gay. I am, however, a student of cultural analysis and a vocal advocate for equality. I believe in the importance of equal representation in media such as television, and that’s why I’m really kind of angry at the creators of Sherlock: Mark Gatiss and Steven Moffat.

Here comes part 3: a recap of the relationship between John & Sherlock so far. Alternative title: a second rant: John & Sherlock LOVE each other.

When they first met in A Study In Pink, John and Sherlock had the following conversation in a candlelit Italian restaurant:

 

Dr John Watson: You don’t have a girlfriend, then?

Sherlock Holmes: Girlfriend? No, not really my area.

Dr John Watson: Oh, right. Do you have a boyfriend?… Which is fine, by the way.

Sherlock Holmes: I know it’s fine.

Dr John Watson: So you’ve got a boyfriend, then?

Sherlock Holmes: No.

Dr John Watson: Right. Okay. You’re unattached, just like me. Right. Good.

Sherlock Holmes: [pause] John, um… I think you should know that I consider myself married to my work and while I’m flattered, by your interest…

 (Source: IMDB)

 

Please keep in mind that the gentlemen knew each other for less than a day at that point. Keep in mind that Sherlock has some serious issues about opening up emotionally, and that Sherlock, the most observant man in the whole wide world, had somehow gotten the idea that John was romantically attracted to him. A few scenes later, they looked at each other like this.

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Merry Christmas!

This is a very disorganized post listing all of my favorite Christmas-related pop culture. That means books, film, TV and music. All of these put me in the Christmas spirit Merry Christmas, y’all.

FAVORITE CHRISTMAS SONG OF ALL TIME: Fairytale Of New York by The Pogues & Kirsty MacColl

Kurt & Blaine singing Baby It’s Cold Outside on Glee

Klaine was amongst my very first OTP’s. When this song aired, they hadn’t gotten together yet, and I was so sure they would in the Christmas ep, but then I had to wait even longer… Oh, the torture of being a frenzied fangirl.

 

A Very Sorry Christmas by The New Mendicants

I like this song. And I wanted to share a Christmas song that was not (yet) incredibly well-known, so here we are.

 

Studio 60  season 1, episode O Holy Night

Blogpost(s) about the absolutely crazy amazingness of Studio 60 On The Sunset Strip are forthcoming. I must first finish my West Wing-binge, though, because I can’t handle more than one Sorkin-show at the time. Either way, Christmas is the time for romance and so it is for Jordan and Danny. Damn, I need to watch this again.  Continue reading

Sinterklaas

If you were looking for an elaborate takedown of Zwarte Piet and its racist connotations, this isn’t it. I celebrated Sinterklaas with my family this weekend and I wanted to voice how much I love the presents I got. Of course, there’s a lot wrong with Zwarte Piet, but that’s a story for another blogpost. Today, let me just show off my awesome new stuff!

One chocolate letter J, milk chocolate

It’s a Sinterklaas tradition that children get the first letter of their name rendered in chocolate. It’s also very tasty. I remember, when I was young, that me and my friends were concerned: did some letters consist of more chocolate than others? Were you better of being named Wilhelmina than Juliana, simply because the “W” is a bigger letter? It turns out that the answer to this question is no. They just make the “J” extra thick.

The Hour season one and two on DVD
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